Showing posts with label papers. Show all posts
Showing posts with label papers. Show all posts

Wide Screen Call For Papers on Contemporary European Film and Media Production

Thursday, January 1, 2015





TVSpain - Spain on Video
Still and Trailer for the latest film from the current master of European film production and multimedia marketing -Pedro Almodóvars Los abrazos rotos/Broken Embraces (Spain, 2009)

Film Studies For Free is always happy to post Open-Access related, Film and Media Studies calls for papers. Below is one such call for an OA journal that FSFF has profiled and linked to before: Wide Screen, a peer-reviewed open access academic journal of screen studies that encompasses a multi-disciplinary approach and is devoted to the critical study of cinema and television from historical, theoretical, political, and aesthetic perspectives.

Call For Paper - Special Issue of Wide Screen

European Producers and Production: Contemporary practices in film, television and multimedia environments

Edited by Professor Graham Roberts (Liverpool Screen School, Liverpool John Moores University) and Dr Dorota Ostrowska (School of History of Art, Film and Visual Media, Birkbeck, University of London)

About the Special Issue

This issue of Wide Screen is interested in the ways in which the contemporary media environment has changed the role and function of a producer. We would like to understand new models of production emerging as a result of new media environments (multimedia, game industry, internet). Does the multimedia environment lead to a greater specialisation on the part of particular producers in relation to the content they deliver, or does it result in producers extending their activity into a wider range of media and content? How do the profession, work, role and function of a producer differ depending on the national context in which they function? What is the impact of EU-wide policies on production practices in Europe?

Possible topics of interest include, but are not limited to:

Wide Screen invites articles on individual producers focusing on one of the following themes: co-productions, festival circuits (film, television and computer games markets), EU funding programmes and policies, education and training, freelancers vs in-house producers, networking, contracts, creativity, risk-taking, types of producers (creative, executive, line-producers), contracts, relationship with talent (directors, writers, actors), DVD releases (in particular special collectors editions)/DVD companies; production companies; awards and prizes; relationship with distribution and exhibition sector; producers of shorts, documentaries, fiction; sourcing content (book fairs, theatre productions); content ownership; piracy; private funding, sponsorship, equity versus public funding;

Deadline

Deadline for submission of full papers: 10 November, 2009

Guidelines and submission information

Articles should be between 4000 and 6000 words can be submitted using the online submission system: http://widescreenjournal.org/index.php/journal/about/submissions

Wide Screen adheres to a strict double blind review, which is defined here: http://widescreenjournal.org/index.php/journal/about/editorialPolicies#peerReviewProcess

Any questions/enquiries should be sent to Dorota Ostrowska (D.Ostrowska@bbk.ac.uk) and Graham Roberts (G.Roberts@ljmu.ac.uk)

Read More..

Four Issues of INTENSITIES The Journal of Cult Media and a Call for Papers

Thursday, December 25, 2014

Screencap from the credit sequence of Games (Curtis Harrington, 1967). Read Steven Jay Schneiders 2003 article for Intensities in which he discusses this and other cult psychological thrillers and horror films.

Film Studies For Free just bumped into the new online incarnation of Intensities, the wonderful journal of cult media studies. Oh yes!

Always a highly innovative and valuable project, Intensities was first launched at Cardiff University in 2001 under the editorship of Matt Hills and Sara Gwenllian Jones. As its new website tells us, it later moved to Brunel University, where it was edited by David Lavery. The journal has relaunched in 2013 with Leon Hunt as its new editor and will publish two issues a year. The journal addresses all aspects of cult media including cult television, cult film, cult radio, cult comics, literary cults and cult authors, new media cults, cult figures and celebrities, cult icons, musical cults, cult geographies, historical studies of media cults and their fandoms, cult genres (e.g. science fiction, horror, fantasy, pulp fiction, Manga, anime, Hong Kong film etc.), non-generic modes of cultishness, theorisations of cult media, relevant audience and readership studies, and work that addresses the cult media industry.

In addition to publishing refereed essays (of between 6000 and 8000 words), Intensities also features a non-refereed Cult Media Review section which will carry shorter speculative reviews, reviews of cult phenomena (e.g. cult TV series, cult films, cult novels, science fiction, comics), short critical essays, interview transcripts, conference and convention reviews and articles about aspects of industry, fan culture, production and authorship.

Intensities latest calls for papers are reproduced below, as are the tables of (linked) contents from the excellent first four issues of this journal. Lets all wish Intensities a very happy and long online life at its new website. Its entry has been updated at FSFFs permanent listing of open access film and media studies journals.
Call for Papers
Intensities will publish two themed issues in 2013.  Essays should be between 6000 and 8000 words, referenced Harvard style and sent as a word document – a 200 word abstract should be sent as a separate document.
Issue 5 Comic Book Intensities – Comics and Cult Media
The first new issue seeks submissions dealing with comics as cult media.  Topics might include:
  • Cult comic book auteurs – Grant Morrison, Alan Moore, Mark Millar, Joss Whedon.
  • Cult films from comics – Cinefumetti, Manga and Anime, the Turkish KIlink films, Dredd 3D.
  • National and international comic book cultures – French bandes dessinees, Italian fumetti, Japanese Manga.
  • Comic book fan cultures – Cosplay and beyond.
  • Underground and alternative traditions.
  • Beyond the cape and mask – neglected comic book genres.
  • From EC to Dark Horse – Horror comics.
Deadline extended to Friday March 1st 2013
Issue 6 Historical Approaches to Cult TV
This issue seeks submissions examining TV shows that have acquired cult status at a historical distance – both established cult shows (The Avengers, The Prisoner, the ‘classic’ series of Doctor Who) and those that have received less (or possibly even no) critical attention.  In addition, the papers will locate those shows historically, either by drawing on archive materials or suggesting new cultural, historical or institutional contexts in which they might be understood. Deadline for submissions: May 31st 2013


Read More..