Image from Solaris (Andrei Tarkovsky, 1972), based on Stanisław Lems 1961 novel. Read BC Biermanns film-philosophical PhD Thesis chapter on this film adaptation
A little window of opportunity for Film Studies For Frees author to bring you one of this sites regular features today: a report (or, more accurately, a labour-intensive links-harvest) from a University research repository, one of those online archives in which, on occasion, academics choose not only to store references to their published film studies work, but also to provide Open Access to that work.
The repository in question today is that of the University of Amsterdam/Universiteit van Amsterdam (UvA), home to one of the best Film and Media Studies departments in the world. Below is a list of links to an amazing spread of very high quality film research accessible there, most of it in the form of full-length PhD theses.
- Mieke Bal, Exhibition as film, in: (Re)visualizing national history: museums and national identities in Europe in the new millennium, ed. R. Ostow (Toronto: Toronto University Press, 2008), p. 15-43
- M. Behlil , Home away from home: global directors of new Hollywood, PhD Thesis, UvA, 2007
- B.C. Biermann, Travelling philosophy: from literature to film [on A Clockwork Orange, Fight Club, Solaris], PhD Thesis, UvA, 2006
- C.J. Birdsall, Between Noise and Silence: Sound, Technology and Urban Space during Nazi Germany, PhD Thesis, UvA (2010)
- L.T. Copier, Preposterous revelations: visions of apocalypse and martyrdom in Hollywood cinema 1980 – 2000, PhD Thesis, UvA, 2009
- S Dasgupta, Art is going elsewhere: and politics has to catch it : an interview with Jacques Rancière, Krisis, 9.1, 2008
- K. van Driel, Psychology of entertainment, PhD Thesis, UvA, 2003
- JJ Ebbers, Organizational dynamics in social networks : contracts and reputations in the film industry, PhD Thesis, UvA, 2009
- Thomas Elsaesser, Constructive Instability, or The Life of Things as the Cinemas Afterlife, Video Vortex: Responses to Youtube, eds. G. Lovink, S. Niederer (Amsterdam: Institute for Network Cultures, 2008)
- C.J. Forceville, The source-path-goal schema in the autobiographical journey documentary: McElwee, Van der Keuken, Cole, The New Review of Film and Television Studies, Vol. 4 (2006), p. 241-261
- Malte Hagener, Avant-garde culture and media strategies: the networks and discourses of the European film avant-garde, 1919-39, PhD Thesis, UvA, 2005
- EM Kedem, The kibbutz and Israeli cinema : deterritorializing representation and ideology, PhD Thesis, UvA 2007
- J de Kloet, Cosmopatriot contamination, Cosmopatriots: on distant belongings and close encounters, eds E. Jurriëns, J. de Kloet (Amsterdam: Rodopi, 2007)
- S. Loist, M. de Valck, Film festivals/Film festival research: thematic, annotated bibliography, 2nd ed. (Hamburg: Universität Hamburg, Institut für Germanistik II, 2010)
- J. Noordegraaf, "Facing Forward with found footage: displacing colonial footage in Mother Dao and the work of Fiona Tan", in: Technologies of memory in the arts (2009), eds Liedeke Plate and Anneke Smelik , p. 172-187 (authors original manuscript)
- F Paalman, The Cheetah of Cinema, Mind the screen: media concepts according to Thomas Elsaesser, eds. J. Kooijman, P. Pisters, W. Strauven (Amsterdam: Amsterdam University Press, 2008)
- F. Paalman, Harbor, architecture, film: Rotterdam 1925-1935, in: Films that work: industrial film and the productivity of media, eds V. Hediger, P. Vonderau (Amsterdam: Amsterdam University Press, 2009), p. 391-404
- MJ Punt, Early Cinema and the Technological Imaginary, PhD Thesis, UvA, 2000
- Laura Schuster, “What does a scanner see?” Techno-fascination and unreliability in the mind-game film", Conference paper: Visions of Humanity in Cyberculture, Cyberpunk and Science Fiction, Oxford, Inter-Disciplinary.Net, July 1-3, 2008
- D.W. Russell, A multifaceted multi-methodological examination of the global movie industry, PhD Thesis, UvA, 2006
- E Thanouli, Post-classical narration: a new paradigm in contemporary world cinema, PhD Thesis, UvA, 2005
- S Vojkovic, Subjectivity in the New Hollywood Cinema: Fathers, Sons and Other Ghosts, PhD Thesis, UvA, 2001
0 comments:
Post a Comment