Corrected edition! [Thanks AM!]
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| Screen cap from Petulia (Richard Lester, 1968). Read Adrian Dankss new article on this film and its director. And read Roger Eberts fascinating review of the film at the time of its release. |
It was somewhat remiss of Film Studies For Free to tweet the link to a new, and excellent, issue of Screening the Past, and then not to follow up with an entry here. This little oversight is corrected today with the below list of contents and links.
There are a huge number of film studies topics covered in the issue (although a fair few of them, in a variety of great contributions, by Adrian Martin!). FSFF particularly liked Lorraine Sim on the ensemble film and Roger Hillman on Malick.
This blog especially recommends, also, the dossier (introduced by Martin) dedicated to the work and memory of Vikki Riley, a highly original writer on film and a tireless political activist who tragically died in a road accident in Darwin, Australia, last September.
Screening the Past, Issue 35, 2012
First Release
- Hanging Here and Groping There: On Raúl Ruiz’s “The Six Functions of the Shot”
by Adrian Martin - The Art of Falling Apart: Petulia and the Fate of Richard Lester
by Adrian Danks - Tending the Wounds of the Nation: Gender in Contemporary Iranian War Cinema
by Michelle Langford - Ensemble Film, Postmodernity and Moral Mapping
by Lorraine Sim - JLG/Jean Améry
by Alan Wright - Malick’s Music of the Spheres: The Tree of Life
by Roger Hillman - The Sydney and Melbourne Film Festivals, and the Liberalisation of Film Censorship in Australia
by Cathy Hope and Adam Dickerson
Vikki Riley (1962-2012): Early Writings
- VOLA X (Introduction)
by Adrian Martin - The Canonisation of Junk (1982)
by Vikki Riley - Poetics of Pop: The Titles of Things (1982)
by Vikki Riley - ‘This Magazine is for Airing Personal Complaints’ (1983)
by Vikki Riley - Caught … Sunless and The State of Things (1984)
by Vikki Riley
Classics and Re-runs
- Which Hollywood? Which Ophuls?
by Adrian Martin - The Six Functions of the Shot
by Raúl Ruiz
Reviews
- Ecce Homo: The Male-Body-In-Pain as Redemptive Figure
- by Jeremy V. Adolphson
- One Night on TV is Worth Weeks at the Paramount: Popular Music on Early Television
by Lauren Anderson - Ephemeral Media: Transitory Screen Culture from Television to YouTube
by Rebecca Bell-Metereau - A Post-May Adolescence: A letter to Alice Debord
by Jan Bryant - Sergio Leone Something To Do With Death (reprint edition)
by Patrick Condliffe - Moving Color: Early Film, Mass Culture, Modernism
by Maura Edmond - Fantasy Film: A Critical Introduction
by Michael Grant - Glimpses of Freedom: Independent Cinema in Southeast Asia.
by David Hanan - Science Fiction Film: A Critical Introduction
by Adam Knee - British Film Design: A History
by Brian McFarlane - New Philosophies of Film: Thinking Images
by Sarinah Masukor - David Lynch
by Josh Nelson - The Neorealist body in Postwar Italian cinema
by Luca Peretti - Olivier Assayas
by Claire Perkins - The Miracle Woman
by Eloise Ross - Jedda
by Shane Smithers - Fashion in Film
by Sue Thomas - Alfred Hitchcock’s Frenzy: The Last Masterpiece
by Jay Daniel Thompson - Cinema’s Alchemist: The Films of Péter Forgács
by Jeni Thornley - Film Trilogies: New Critical Approaches
by John Vanderhoef - Shadow Economies of Cinema: Mapping Informal Film Distribution
by Mike Walsh - Cinema and Experience: Siegfried Kracauer, Walter Benjamin, and Theodore Adorno
by Tyson Wils - South African Cinema 1896-2010
by Suzanne Woodward
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