Memory Screens New Issue of IMAGE AND NARRATIVE

Sunday, January 4, 2015

Frame grab from 1975 (Shaun Wilson, version 1 (2005), DV as single channel DVD, colour, sound, 5mins). Visit Shaun Wilsons website here and read his article about home movies here
The concept of memory screens is an overarching term exploring the relationship between forms of media, viewers, practitioners and memory. The notion of memory screens alludes to the ways in which memories become remembered, layered, forgotten and transformed. The range of articles in this volume reflects the relationship between memory and history, both public and personal. [Thematic Cluster: Introduction by Teresa Forde]

Film Studies For Free continues to be impressed by the excellence of the online journal Image and Narrative which has recently published a special issue entitled Memory Screens.

FSFF particularly appreciated film and video artist Shaun Wilsons essay on the art of vintage home movies, Jenny Chamarettes study of the dynamics of the ‘spectre’ or ‘spectral body’ of the auteurist figure of Agnès Varda, Peter Kravanjas exploration of narrative contingencies in Rohmer and Akerman and Teresa Forde and Erin Bells discussions of memory and British television. But this is a very high quality issue throughout and, as always at I and N, particularly characterised by the thoughtful integration of close analysis and film and moving image theory.

Image and Narrative, Vol 12, No 2 (2011): Memory Screens

Table of Contents
  • Thematic Cluster: Introduction by Teresa Forde ABSTRACT PDF
  • Remixing Memory through Home Movies by Shaun Wilson ABSTRACT PDF
  • Video Installation, Memory and Storytelling: the viewer as narrator by Diane Charleson ABSTRACT PDF
  • Spectral bodies, temporalised spaces: Agnès Vardas motile gestures of mourning and memorial by Jenny Chamarette ABSTRACT PDF
  • Television and memory: history programming and contemporary identities by Erin Bell ABSTRACTPDF
  • Television Dramas as Memory Screens by Teresa Forde ABSTRACT PDF
  • The Lives of Others: re-remembering the German Democratic Republic  by Margaret Montgomerie and Anne- Kathrin Reck ABSTRACT PDF
  • Nostalgic [re]remembering: film fan cultures and the affective reiteration of popular film histories by Nathan Hunt ABSTRACT PDF
Various Articles
  • Cinema, Contingencies, Metaphysics by Peter Kravanja ABSTRACT PDF
Review Articles
  • Hillary Chutes Ambivalent Idiom of Witness by Charlotte Pylyser  ABSTRACT PDF
  • Naissances de la bande dessinée de William Hogarth à Winsor McCay by Pascal Lefèvre ABSTRACT PDF

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