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| Frame grab from Drôle de Félix (Olivier Ducastel and Jacques Martineau, 2000) |
Film Studies For Frees author is busy with marking this weekend, and so can only look longingly for now at the below Table of Contents of a bumper new issue of the journal Wide Screen which appears to be going from strength to strength. There are some very enticing and valuable items here, so FSFF wanted to rush its readers the usual direct links to the openly accessible contents.
Wide Screen Vol.3 No.1
- From the Editors Desk by Kuhu Tanvir PDF
- Militants and Cinema: Digital Attempts to Make the Multitude in Hunger, Che, Public Enemies by Joshua Aaron Gooch Abstract PDF
- Minnellis Yellows: Illusion, Delusion and the Impression on Film by Kate Hext Abstract PDF
- Trauma, Post-Apocalyptic Science Fiction and the Post-Human by Anirban Kapil Baishya Abstract PDF
- Drôle de Félix: A Search for Cultural Identity on the Road by Zélie Asava Abstract PDF
- An Analysis of the Technoscientific Imaginary in the Remake of The Stepford Wives by Jessica Johnston and Cornelia Sears Abstract PDF
- Home Sweet Home: The Cautionary Prison/Fairy Tale by Paul Tremblay Abstract PDF
- Handling Financial and Creative Risk in German Film Production by M. Bjørn von Rimscha Abstract PDF
- Opening Pandora’s (Black) Box: Towards A Methodology Of Production Studies by Graham Roberts Abstract PDF
- Introduction: Cinemas of the Arab World by Latika Padgaonkar Abstract PDF
- Cinema “Of” Yemen And Saudi Arabia: Narrative Strategies, Cultural Challenges, Contemporary Features by Anne Ciecko Abstract PDF
- Director Profile: Mai Masri by Latika Padgaonkar Abstract PDF
- Salah Abu Seif and Arab Neorealism by Ouissal Mejri Abstract PDF
- Review: London River by Latika Padgaonkar Abstract PDF
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