Showing posts with label online. Show all posts
Showing posts with label online. Show all posts

Full Length Feature Films Free Online via BFI and Daily Motion

Thursday, May 7, 2015


Film Studies For Free cant believe its eyes!!

The British Film Institute has entered into a partnership with the advertising-supported, video-streaming site Daily Motion to provide access to some of the incredible wealth of films that the BFI has funded and distributed over many years.

Currently, as of today, the new channel is hosting 47 films of varying lengths, from amazing silents to rare poetic documentaries (like Chris Petits Radio On), as well as some incredibly important live action and animated fiction films, including a number of otherwise hard to see works by Terrence Davies and Lotte Reininger.

A must-visit site and a hugely laudable resource. Thank you BFI.
Read More..

To Cinephilia and Beyond! Christian Keathleys Film Studies Online

Sunday, January 11, 2015

A free-to-attend University of London Screen Studies Group series event. Full details are given here: http://events.sas.ac.uk/ies/events/view/13234.

A free-to-attend University of Sussex Centre for Visual Fields event. Further details are given here: http://www.sussex.ac.uk/cvf/newsandevents/events?id=16509.

Film Studies For Free is almost unspeakably thrilled that its author is helping to host a visit to her shores by the wonderful film scholar Christian Keathley. So thrilled, in fact, that a collected edition of links to his generously-shared, online, film scholarship is given below. 

Keathley, Associate Professor of Film and Media Culture at Middlebury College, USA, is the author of Cinephilia and History, or The Wind in the Trees (Indiana University Press, 2006), and is currently completing a second book, The Mystery of Otto Preminger (under contract to Indiana University Press). Professor Keathley’s research interest also focuses on the presentation of academic scholarship in a multi-media format, including video essays.

In addition to the two UK events detailed above, Keathley will also give a keynote lecture on his work as part of the lineup for a two-day symposium in Antwerp, Belgium, entitled "FROM PHOTOGÉNIE TO CINEPHILIA 2.0, a seminar on cinephilia then and now". The event takes place between December 7-8. Unlike the two events above, it isnt free-to-attend, but it is incredibly good value. 

This superb looking symposium is hosted by the Flemish Service for Film Culture, Centre for Cinema and Media Studies (UGent) and Research Group Visual Studies and Media Culture (University of Antwerp) organised in collaboration with Research Center for Visual Poetics (University of Antwerp) and CINEMATEK, with two other internationally recognised keynotes Malte Hagener and Sarah Keller. You can find further details of the symposium here.

There should be some open access resources emerging from the above events, and if that happens, FSFF will be among the first to let you know about them.

Online Written Texts by Christian Keathley:
Online Video Essays by Christian Keathley:
Video essay on a scene from Otto Premingers Anatomy of a Murder.

50 Years On from Christian Keathley
Revision of a video made for the Society of Cinema and Media Studies 50th anniversary conference.


Does Your Dog Bite? from Christian Keathley
A video essay by Christian Keathley on a canine moment in Strangers on a Train (Alfred Hitchcock, 1951).

About Christian Keathleys work:
Read More..

Direct Cinema Innovative Documentary Studies Online

Image from Subdivided (Dean Terry, US 2007)


Film Studies For Free is keepin it real today with a choice selection of links to mostly very recent, definitely innovative, and freely-accessible online documentary studies (last updated April 10, 2009):
Also see the great articles for the New worlds of documentary Special Section of Jump Cut, issue no. 48, winter 2006, edited by Julia Lesage:

Introduction: new worlds of documentary by Julia Lesage; Emergency analysis, Terri Schiavo: introduction The cutting edge: emergencies in visual culture by Janet Staiger; Schiavo videos context and reception: timely triage by Diane Waldman; Emergency analysis: the academic traffic in images by Catherine L. Preston; The videographic persistence of Terri Schiavo by Janet Walker Walker; A walk on the wild side: the changing face of TV wildlife documentary by Richard Kilborn; Strange Justice: sounding out the Right: Clarence Thomas, Anita Hill, and constructing spin in the name of justice by Steve Lipkin; Giving voice: performance and authenticity in the documentary musical by Derek Paget and Jane Roscoe; Video Vigilantes and the work of shame by Gareth Palmer; Audio documentary: a polemical introduction for the visual studies crowd by Chuck Kleinhans; TV news titles: picturing the planet by Sean Cubitt; Les Archives de la Planète: a cinematographic atlas by Teresa Castro; Cinephilia and the travel film: Gambling, Gods and LSD by Catherine Russell; Dark Days: a narrative of environmental adaptation by Joseph Heumann and Robin L. Murray; Feminist history making and Video Remains by Alexandra Juhasz.
Read More..

R I P Peter Brunette and Teshome Gabriel online tributes

Thursday, January 8, 2015

Last updated June 24, 2010
Teshome Gabriel, 1939-2010


Peter Brunette, 1943-2010

Film Studies has lost two of its giants.

On Monday, Professor Teshome Gabriel of UCLA, a leading theorist and scholar of African, Third and Third World Cinema, and memory and cinema, passed away in Los Angeles.

And, just yesterday, Peter Brunette, Reynolds Professor of Film Studies at Wake Forest University, author of important books on film theory, Italian cinema and the work of individual film directors, and a very well-known and popular film critic, died while in attendance at the Taormina Film Festival in Italy.

Film Studies For free will post full, individual, tributes of its own to each of these scholars very shortly, but in the meantime is gathering together, below, a list of links to some of the online tributes to both men. If you know of any you would like to see included, please email FSFF, or link to them in the comments section of this post.

The author of this blog would like to pass on her sincere condolences to the families and friends of both men.

Tributes to Teshome Gabriel

Tributes to Peter Brunette
Read More..

Mar�a Luisa Bemberg online resources

Wednesday, January 7, 2015


Still on the subject of film authorship (see here and here), Film Studies For Free chirpily (cheekily?) cross-posts (again, with Directing Cinema - do visit that blog for some great video clips) a little list of choice, freely-accessible online resources pertaining to the Argentine film director María Luisa Bemberg.

A somewhat late starter as a filmmaker, at the tender age of fifty-eight, Bemberg directed six films against the odds of a hugely difficult economic and political situation in Argentina in the 1980s and 1990s. She has been an important influence on a number of young filmmakers, most notably a favourite of FSFF, Lucrecia Martel (also see HERE). Martels films have been produced by Bembergs legendary producer and friend Lita Stantic.

In honour of Bemberg and her films, below is a list of high-quality and freely-accessible online studies of her work:

In English:
In Spanish:

In Italian:

Read More..

On fans and fantasy Matt Hills online

Sunday, January 4, 2015


Ana Torrent as Ángela in Tesis (Alejandro Amenábar, Spain, 1996)

While Film Studies For Free was researching material for its last post - In-between-isms: Winnicottian film, media, and cultural studies - in which the work of media theorist Matt Hills figured strongly, it came across quite a few other freely-acessible, scholarly essays by and interviews with Hills, the links to which had not yet been collected in an online webliography.

So, below you can find a follow up links-list that does just that. Hopefully, it will be of use to those of us who appreciate Hills unusual (these days) combination of film and media studies approaches in his work, which brilliantly draws both on psychoanalytic and sociological theories to explore audience or consumer attachments to popular media.

Online works by

Interviews with
Read More..

Forty more film and moving image studies theses online

Saturday, January 3, 2015

Frame grab from Diary of a Country Priest (Robert Bresson, 1951), a film discussed in Andrew Klevans PhD thesis Disclosure of the Everyday

Film Studies For Free brings you its latest roundup of links to online and openly accessible film and moving image studies theses. These links (all of them to theses stored in European research repositories) will very shortly be added to FSFFs permanent listing of already more than 150 theses (the vast majority of them at PhD level, though one or two high quality MPhils are also included).

Particular highlights in this roundup, in FSFFs view, are the recent online publication of Andrew Klevans 1996 thesis Disclosure of the everyday, Catherine Fowlers The films of Chantal Akerman (1995), Martin Stollerys 1994 Alternative empires on Soviet montage cinema, the British documentary movement and colonialism, Ximena Triquells 2000 socio-semiotic approach to cinematic representations of the Argentine military dictatorship (1976-1983),  and David Martin-Jones 2002 Becoming-other in time: the Deleuzian subject in cinema.

If any of FSFFs esteemed readers know that their own thesis is available online but not yet added to these listings, please email this blog with a link.
    1. Aaltonen, Minna-Ella, Touch, taste and devour: phenomenology of film and the film experiencer in the cinema of sensations, MPhil Thesis, University of Glasgow, 2011
    2. Archibald, David, The Spanish Civil War in cinema, PhD Thesis, University of Glasgow, 2004
    3. Baker, Rosemari Elizabeth, Shklovsky in the Cinema, 1926-1932, PhD Thesis, Durham University, 2010
    4. Berridge, Susan, Serialised sexual violence in teen television drama series, PhD thesis, University of Glasgow, 2010
    5. Bissell, Laura, The female body, technology and performance: performing a feminist praxis. PhD thesis University of Glasgow, 2011
    6. Bourkiba Larbi, Abdelrhaffar, Parody and ideology: The case of Othello, PhD Thesis, Universitat de València, 2005
    7. Carrasco, Rocio, Of men and cyborgs: the construction of masculinity in contemporary U.S. science fiction cinema, PhD Thesis, Universidad de Huelva, 2010
    8. Chalkou, Maria, Towards the creation of quality Greek national cinema in the 1960s, PhD thesis, University of Glasgow, 2008
    9. Copsey, Dickon, Race, gender and nation : the cultural construction of identity within 1990s German cinema, PhD Thesis, University of Glasgow, 2004 
    10. Dymek, Mikolaj, Industrial Phantasmagoria : Subcultural Interactive Cinema Meets Mass-Cultural Media of Simulation, PhD Thesis, KTH, Sweden, 2010
    11. Ferguson, Laura E., Kicking the Vietnam syndrome? Collective memory of the Vietnam War in fictional American cinema following the 1991 Gulf War, PhD Thesis, University of Glasgow, 2011 
    12. Fowler, Catherine, The films of Chantal Akerman: a cinema of displacements, PhD Thesis, University of Warwick, 1995
    13. Goode, Ian, Voices of inheritance: aspects of British film and television in the 1980s and 1990s, PhD Thesis, University of Warwick, 2000
    14. Heeren, Catherine Quirine van, Contemporary Indonesian film : spirits of reform and ghosts from the past, PhD Thesis, Leiden University, 2009
    15. Hibberd, Lynne A., Creative industries policy and practice. a study of BBC Scotland and Scottish Screen, PhD thesis, University of Glasgow, 2009
    16. Hinchliffe, Alexander, Contamination and containment: representing the pathologised other in 1950s American cinema, PhD Thesis, University of Nottingham, 2010
    17. Johnston, Cristina, The use of the spoken word in contemporary French minority cinema, with specific reference to banlieue and gay cinema (1990-2000), PhD Thesis, University of Glasgow, 2005
    18. Joo, Chang-Yun, The interpretative positions of the audience and the invitations of television drama, PhD thesis, University of Glasgow, 1997 
    19. King, Martin S., "Running like big daft girls." A multi-method study of representations of and reflections on men and masculinities through "The Beatles", PhD thesis, University of Huddersfield 2009
    20. Kiss, Robert James, The Doppelganger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany, PhD Thesis, University of Warwick, 2000 
    21. Klevan, Andrew, Disclosure of the everyday : the undramatic achievements in narrative film, PhD Thesis, University of Warwick, 1996
    22. Lehin, Barbara, Cinema and society: Thatchers Britain and Mitterands France, PhD Thesis, University of Warwick, 2003 
    23. Martin-Jones, David, Becoming-other in time: the Deleuzian subject in cinema, PhD Thesis,  University of Glasgow, 2002 
    24. Morris, Julia, An investigation into subtitling in French and Spanish heritage cinema, PhD Thesis,  University of Birmingham, 2010
    25. Natzén, Christopher, The Coming of Sound Film in Sweden 1928-1932 : New and Old Technologies, PhD Thesis, Stockholm University, 2010 
    26. Newsinger, Jack, From the grassroots: regional film policy and practice in England, PhD Thesis, University of Nottingham, 2010
    27. Pescetelli, M., The art of not forgetting: towards a practical hermeneutics of film restoration, PhD Thesis, University College London, 2011 
    28. Pigott, Michael, Time and film style, PhD Thesis, University of Warwick, 2009
    29. Ragazzi, Rossella, Walking on uneven paths : the transcultural experience of migrant children in France and Ireland, PhD Thesis, Dublin Institute of Technology, 2005
    30. Robinson, Rebecca Grace, Scottish television comedy audiences, PhD thesis, University of Glasgow, 2002
    31. Shand, Ryan John, Amateur cinema: history, theory and genre (1930-80), PhD thesis, University of Glasgow, 2007  
    32. Shields, Ryan John, Amateur cinema: history, theory and genre (1930-80), PhD Thesis, University of Glasgow, 2007
    33. Smit, Alexia Jayne, Broadcasting the body: affect, embodiment and bodily excess on contemporary television, PhD thesis, University of Glasgow, 2010
    34. Smith, Sarah, A complicitous critique: parodic transformations of cinema in moving image art,  PhD thesis, University of Glasgow 2007
    35. Sorrentino, Giuseppe, The Disappearance of the Real - Mass Media in Thomas Pynchon, Don DeLillo and Cormac McCarthy, PhD Thesis, Università degli studi Roma, 2008
    36. Stollery, Martin, Alternative empires : Soviet montage cinema, the British documentary movement and colonialism, PhD Thesis, University of Warwick 1994
    37. Thomas, Sarah, Face-maker : the negotiation between screen performance, extra-filmic persona and conditions of employment within the career of Peter Lorre, PhD Thesis, University of Warwick, 2008
    38. Triquell, Ximena, Projecting history: a socio-semiotic approach to the representations of the military dictatorship (1976-1983) in the cinematic discourses of Argentine democracy, PhD Thesis, University of Nottingham, 2000
    39. Walsh, John, A Space and Time Machine: Actuality Cinema in New York City, 1890s to c. 1905, PhD Thesis, University of Nottingham, 2005
    40. Yam, Chi-Keung, Study of popular Hong Kong cinema from 2001 to 2004 as resource for a contextual approach to expressions of christian faith in the public realm after the reversion to Chinese sovereignty in 1997, PhD Thesis, University of Edinburgh, 2008
    Read More..

    Audiovisual Thinking Online Video Journal about Audiovisuality Communication Media



    Film Studies For Free predicted at the beginning of this year that 2010 would be the year of the video essay. And thus it has come to pass... Woohoo!

    Audiovisual Thinking -- an online video journal about "audiovisuality, communication and media" -- has just launched and it looks to FSFF to be a very worthwhile venture indeed. All relevant information has been pasted in below to tempt you to the excellent AT website. There are lots of introductory videos embedded there which will inform you audiovisually about the Audiovisual Thinking ethos.

    Audiovisual Thinking has issued its first call for videos for its first proper issue which will explore the "legacy and merit of the use of audiovisual material in academic thinking, research and teaching, in the past, present and in the future" (deadline: June 15, 2010; do note: according to the submission form (as of April 22) the videos should be no longer than seven minutes and a maximum of [an as yet quite tiny] 10 Mb [Update: The editors reported to FSFF that they are working on achieving a larger, automated, upload volume. If you have larger submissions, these can be uploaded manually, so just get in touch with the editors via the websites contact page].

    If you dont yet completely understand why FSFF is so pleased with this development, you should check out the following propaganda piece that it published last July: Video Essays on Films: A Multiprotagonist Manifesto. Also, do have a peruse of all the video essays embedded at FSFF, including this little one we prepared earlier (sadly, its just a little longer than seven minutes and larger than 10Mb or 100Mb...).
    About Audiovisual Thinking
    Audiovisual Thinking is a pioneering forum where academics and educators can articulate, conceptualize and disseminate their research about audiovisuality and audiovisual culture through the medium of video.
         International in scope and multidisciplinary in approach, the purpose of Audiovisual Thinking is to develop and promote academic thinking in and about all aspects of audiovisuality and audiovisual culture.
        Advised by a board of leading academics and thinkers in the fields of audiovisuality, communication and the media, the journal seeks to set the standard for academic audiovisual essays now and in the future.
        Video submissions are welcome from all fields of study and, as one would expect, the main criteria for submissions are that the discussion and thinking are conveyed through audiovisual means.
    Each issue of Audiovisual Thinking will call for and then showcase academic videos around a specific theme within audiovisual culture and the media. The journal also accepts ‘opinion’ or ‘reflective’ audiovisual pieces on any area of audiovisual research or pedagogy. 
        Submissions are welcome from the areas of the Arts, Journalism, Media and Communication studies, as well as Education and the Social Sciences where audiovisual material is routinely used, or is gaining ground, as an academic research tool or teaching method.
         This first issue will explore the legacy of audiovisual content in contemporary academic research and thinking. Submit your video here.
    Read More..

    All That Film Pastiche Allows Fifty Online Studies

    Friday, January 2, 2015


    All That Pastiche Allows by Catherine Grant

    "[Pastiche] can, at its best, allow us to feel our connection to the affective frameworks, the structures of feeling, past and present, that we inherit and pass on. That is to say, it can enable us to know ourselves affectively as historical beings."
    Richard Dyer, Pastiche (London and New York: Routledge, 2007)

    Film Studies For Free today presents a whole host of links to studies of cinematic pastiche. It begins with the above video -- the latest in FSFFs experiments in videographic comparison -- which is designed to afford its viewers a space for real-time co-contemplation of the opening titles sequences of All That Heaven Allows (Douglas Sirk, 1955) and its pastiche Far From Heaven (Todd Haynes, 2002).
    Read More..

    Truly Doing Film Criticism Online Film Studies by Tag Gallagher

    Thursday, January 1, 2015



    Tag Gallagher: A New Reality. Roberto Rossellinis Francesco, guillare di Dio, (US 2006)

    [T]here is no formula for movie criticism. Cinema is not the same cinema in Ford and Rossellini, so you don’t use the same tools to look at it. Frame enlargements can show a lot of Ford’s art -- composition, camera angles rhyming from one shot to the next, lighting – but almost nothing of Rossellini’s art, because Rossellini turns everything into motion. All the feelings, the motivations, the characters’ sense of self, even morality and philosophy are turned into motion. So I published a thousand pages about Rossellini, but I really couldn’t deal with his cinema, until I made my video about his Francesco, giullare di Dio[Truly Doing Film Criticism: Interview with Tag Gallagher, kunst-der-vermittlung.de,  2009]
    The first video I made about Roberto Rossellini was [on Francesco, giullare di Dio]. I made it for a company that turned it down because it did not like the quality of the recording of my voice. So I lost the opportunity to publish this essay in that country, and in some others. [...] So I showed my video on Francesco only at some museums and gave some copies to friends, but that was it.  [Excerpts from a January 2012 interview with Gallagher: Elpidio del Campo Cañizares, Los «ensayos visuales» de Tag Gallagher como paradigma de nuevos modelos de análisis cinematográfico, Revista Comunicación, No. 10, Vol.1, año 2012: 1334-1347 [PDF]]

    Today, Film Studies For Free is delighted to publish online, for the first time, film critic and historian extraordinaire Tag Gallaghers first video essay on a Roberto Rossellini film.

    To celebrate and accompany this publication, for which FSFF and its readers have to thank the great Tag himself, below is a list of links to Gallaghers online film studies essays (written and audiovisual), interviews with him about his work, and studies of his work. If there is anything missing from the below lists, please leave a relevant link in the comments section. Many thanks!

      Gallaghers Written Work Online:

      Gallaghers Video Essays Online:

      Online Interviews with Gallagher:

      Read More..

      Obstinate Battles for Documentary Memory Patricio Guzm�n Resources Online

      Saturday, December 27, 2014



      Regular readers will know, hopefully, that Film Studies For Free issues forth only on the topics that take its fancy. It receives no commercial or other patronage, and it does not respond to prompts for its hypertextual-utterances: nor does it want any! It loves and supports free online culture, and it prefers to make its own reading, viewing and blogging choices. Sometimes, though, it does get independently inspired by commercially-available film releases or new offline publications of a very worthwhile kind, as was the case today. And the result is a little bit of unsolicited free advertising...

      FSFF was so HAPPY to hear that Chilean documentarist Patricio Guzmáns films The Battle of Chile (1975-1978), The Pinochet Case (2001) and a particular personal favourite, Chile, Obstinate Memory (1997 - see the opening sequences above) have been released on a new DVD by a great and longstanding supporter of Latin American film culture -- Icarus Films -- that it decided to mark this very auspicious occasion with a related scholarly links-list in honour, and warm appreciation, of Guzmáns hugely important films.
      Read More..